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• release date: 1995
• 8,2 / 10
• USA
• Star: Gary Sinise
• Scores: 254196 Vote
• Drama

Apollo-13 free download. Apollo 13 free 123 movie. Apollo 13 free. Apollo 13 free online. Apollo-15 free. Movie yesmovies... "Houston, we've had a problem. " With these words, one of NASA's finest events unfolded; the dramatic rescue of three astronauts, live on TV. 2:42 Guy chews on his fingers too much. I have 9000 series computer and I say youtube hangs on internet explorer all the time. Free apollo 13 movie. In reality, NASA has a disaster plan in place for these types of scenarios. THey did this plot for the sake of drama, BUT I applaud the performances. In Netflix in english la movie. Man, we live in the wrong future.

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Possibly the most perfect cinematic rendering of everything that's great about science fiction. Apollo 13 free movie online. Ohhh john cena revealed. 0:56. From beginning to end, I wasn't particularly invested. While I do appreciate the technical accuracy (which makes up the majority of the dialogue) it certainly got redundant after an hour or so. From start to finish, Apollo 13" is essentially a collection of set-up and pay-off; 1) we start in the capsule with the Apollo 13 crew and they run into a technical problem (2) we cut to Mission Control working on a procedure (3) meanwhile in the Lovell home (4) back to the capsule and how the astronauts are coping (5) Mission Control solves the problem (6) Apollo 13 works it out. And so it's essentially this repetitive chain of events, capturing the exhausting 5-day redundancy of the historical incident. Tom Hanks steals the show in one of his most iconic performances. The score by James Horner (R.I.P.) is terribly dated and at times too sentimental, but one of my favorite tracks captures the vastness and mystique of space. I was surprised at how well the special effects have held up. Props to Ron Howard and the effects department.

Apollo 13 free full movie youtube. Apollo-13. Apollo 13 free return trajectory. Apollo-13 free web. Apollo 13 free youtube. Apollo-13 free online. Apollo-13 free web site. Jesus says it's ill um i? Nat i Saytin says it's aluminum foiled illuminated. Apollo 13 free-return burn. I vote Tom Hanks as the first Hollywood celebrity to land on the Moon. That hatch mechanism looks like it took about 2 years to make. Apollo 13 free movie. For a person to dislike this video, he/she obviously has no soul. Space flight is probably the most magnificent of human achievements. Apollo 13 free full movie. Listen to President Kennedy rally the American people to support NASA's Apollo program Pres. John F. Kennedy rallying the people of the United States to support NASA's Apollo program to land human beings on the Moon, September 12, 1962. Encyclopædia Britannica, Inc. See all videos for this article Apollo 13, U. S. spaceflight, launched on April 11, 1970, that suffered an oxygen tank explosion en route to the Moon, threatening the lives of three astronauts —commander Jim Lovell, lunar module pilot Fred Haise, and command module pilot Jack Swigert. The severely damaged Apollo 13 service module (SM) as photographed from the lunar module/command module. An entire panel on the SM was blown away by the explosion of an oxygen tank. NASA Houston, we’ve had a problem Apollo 13 was launched from Cape Kennedy, Florida, by a giant Saturn V launch vehicle and only minutes later was inserted into orbit around Earth. About 2. 5 hours after launch, the still-attached S IVB third stage was reignited to provide the final boost toward the Moon. The transposition maneuver (removing the lunar module, code-named Aquarius, from the S IVB adapter) was carried out efficiently, and soon Apollo 13 was coasting toward the Moon on a path so accurate that the first planned course adjustment was canceled. Later in the mission, the craft underwent a hybrid transfer maneuver to facilitate landing in the difficult Fra Mauro region of the Moon. To do this, the service module’s propulsion system provided a 4. 6-metre- (15-foot-) per-second velocity change designed to lower the command module’s closest approach to the Moon from 389 km (242 miles) to 109 km (68 miles) and place the craft on a “non-free-return” trajectory. This meant that should no further propulsive maneuver be made during the flight, the craft would not swing around the Moon and return directly to Earth on a “free-return” trajectory but instead would miss Earth by 4, 750 km (2, 950 miles). However, a shift back to a free-return trajectory was within the capability of both the service module propulsion system and the lunar module descent stage propulsion system. So accurate was the hybrid transfer that a scheduled course correction was canceled. Apollo 13 launch Apollo 13 launching from Kennedy Space Center, Cape Canaveral, Florida, April 11, 1970. MSFC/NASA April 12, the day after launch, passed without incident. Early on the evening of April 13, the astronauts pressurized the lunar module Aquarius, and Lovell and Haise passed from the command module Odyssey through the connecting tunnel while checking all systems for the forthcoming landing. Suddenly, as Lovell was moving through the tunnel on his way back from Aquarius to Odyssey, a loud explosion was heard. All three astronauts quickly gathered in Odyssey to study the instruments in an effort to determine what had happened. Noting that one of the main electrical systems aboard was degrading, Haise and Lovell radioed the information to mission control in Houston, quickly turning a routine flight into one of the most exciting episodes in space history. Haise: Okay, Houston— Lovell: I believe we’ve had a problem here. Mission control: This is Houston. Say again please. Lovell: Houston, we’ve had a problem. We’ve had a main B bus undervolt. Within eight seconds of the explosion, pressure in one of the service module’s two cryogenic oxygen tanks had dropped to zero. Together with the cryogenic hydrogen tanks, they fed the required supplies to the craft’s three fuel cells, which were needed for the generation of electrical power, oxygen for breathing, and drinking water. About an hour after the accident, mission control announced that “we are now looking toward an alternate mission, swinging around the Moon and using the lunar module power systems because of the situation that has developed here this evening. ” The astronauts were to move into Aquarius, which would serve as a lifeboat, while the disabled Apollo 13 swung around the Moon and headed homeward. All thoughts of a lunar landing had long since been abandoned. Around the Moon The anxiety for the safety of the astronauts was felt in every corner of the globe, and millions of persons remained glued to television and radio sets as the perilous journey unfolded. Still three days away from Earth, the astronauts moved into the lunar module Aquarius, which they powered up before shutting down the command module Odyssey to conserve the latter’s emergency battery power for the atmospheric reentry maneuver at the end of the mission. Only the command module could pass through Earth’s atmosphere; the lunar module would have to be discarded, along with the service module, before the outer atmosphere was reached. In the meantime, however, the lunar module would be their home. When the astronauts first transferred into and activated Aquarius, Apollo 13 was about 20 hours from the Moon. Plans were made for transferring out of the hybrid trajectory and onto the free-return trajectory, a maneuver that was executed in the early morning hours of April 14. At mission control, teams of experts worked to check out all feasible maneuvers and situations in flight simulators, feeding every plan and contingency through computers. Leaders from all parts of the world voiced concern, and from Soviet Premier Aleksey N. Kosygin came the message that “the Soviet Government has given orders to all citizens and members of the armed forces to use all necessary means to render assistance in the rescue of the American astronauts. ” Four Soviet ships began moving toward the planned recovery area, while French and British warships also moved to the rescue. Radio contact with Apollo 13 was lost during the evening of April 14 as the craft swung behind the Moon, passing at an altitude of 264 km (164 miles) at the closest approach. (Since their trajectory had a higher lunar altitude than other Apollo missions, Apollo 13 set the record for farthest flight from Earth of 401, 056 km [249, 205 miles]. ) Soon afterward the spacecraft started along its return path home. Meanwhile, the long-since-discarded S IVB third stage crashed onto the Moon—it had followed an independent trajectory—as part of a planned experiment to cause an artificial moonquake to aid scientists in understanding the nature of the lunar interior. When the astronauts learned from Houston of the stage’s impact, Swigert radioed back, “Well, at least something worked on this flight. …I’m sure glad we didn’t have an LM [Lunar Module] impact too! ” About two hours later the descent stage propulsion system of the lunar module was ignited for 5 seconds at 10 percent throttle, 21 seconds at 40 percent throttle, and almost 4 minutes at full throttle. This added 941 km (585 miles) per hour to Apollo 13’s velocity, thereby cutting by 10 hours the length of the homeward journey and ensuring a splashdown in the Pacific Ocean south of Samoa. On board the spacecraft, oxygen stores remained sufficient, as did cooling water. The astronauts reduced their consumption of drinking water to six ounces per day and their consumption of electricity by 80 percent. However, the lunar module’s lithium hydroxide cartridges that removed carbon dioxide from the air would last only about 50 hours, and those from the command module were not designed to fit Aquarius. Therefore, engineers on the ground devised a makeshift adapter scheme, radioing to Apollo 13 instructions on how to attach the cartridges from the command module to the lunar module hoses. The job was done, and Haise reported, “Our do-it-yourself lithium hydroxide canister change is complete. ” Interior of the Apollo 13 lunar module (LM) Aquarius showing the “mail box, ” a jury-rigged arrangement that the astronauts built to use the command module lithium hydroxide canisters to purge carbon dioxide from the LM. NASA.

Very, Very brave men, and what a great time to be alive. This year I went to see 192 different movies in theaters, plus one rewatch. That's up from 162 in 2018, 140 in 2017, 9 in 2016, and 5 in 2015. I usually go 3 or 4 times per week, mostly on weekends. I keep track of dates/theaters/movies/ratings for fun and save all of the stubs. My ratings are what I give the movie right after seeing it, with no real 'checklist' or anything, mostly just initial thought/enjoyment/opinion. It's not meant to be taken super seriously, I'm not a professional reviewer. This is my full ranking for the year, from favorite to least-favorite, with a few small reviews/thoughts thrown in: Monos - 10/10 - Hands-down my favorite movie of the year and honestly high on my all-time list. It's Apocalypse Now meets Lord of the Flies, with some Beasts of No Nation thrown in. It builds a unique, lived-in world that's believable and brutal. Beautifully-filmed, some of the best shots of the year (the ending shot gets seared in your mind). Modern and grounded look at a militia/cartel fighting against an unnamed enemy in a Colombian jungle. It almost feels post-apocalyptic instead of 'cartel vs government', which I really loved. You get to imagine your own backstory as the story unfolds. Unforgiving and gut-wrenching, but hopeful too. Got a lot out of its cast. Can't recommend this movie enough. Really disappointed this didn't make the Best Foreign Language Film shortlist. "Masterpiece" gets thrown around a lot, but in my mind this is the only one this year. Marriage Story - 10/10 The Farewell - 10/10 Journey to a Mother's Room - 9/10 - Biggest surprise of the year, came out of nowhere. Deeply-personal story between a mother & daughter. It's very basic on the surface, and there's not much story (you start at Point A, and end at Point A), but it's the most emotional movie of the year. If you don't cry at least 3 times during this, you're probably not human. It's all about the unbreakable connection you have to your parent(s), from the day you're born until the day you die. It only takes place over the course of a few months, but feels like lifetimes. Beautiful little movie about separation, loss, and human connection. Waves - 9/10 - I could write 20 pages on how much I loved this movie. To keep it short, it's got a perfect soundtrack, perfect setting, awards-worthy performances (from Kelvin Harrison Jr., Sterling K. Brown, and Taylor Russell). Visceral story that grips you from the first minute and doesn't let go until the closing shot. Unique use of colors and aspect-ratio. It takes a huge risk structurally that pays off. It's also the only movie I went to see twice this year. Really worth it too, picked up on a lot of stuff on the second viewing. Would've went a third time if theaters kept it playing longer. Every tiny decision/action has a huge impact. Just watch this. Last Black Man In San Francisco - 9/10 Birds of Passage - 9/10 Apollo 11 - 9/10 - The best documentary of the year. Probably the best editing (and use of sound) I've ever seen/heard in a documentary. It's unique because they don't use interviews like most documentaries do, it's real sound the whole through. Impressive use of archival footage/audio. Uncut Gems - 9/10 - This movie wasn't on the Best Original Score shortlist for the 2020 Oscars. This aggression will not stand. The Mustang - 9/10 Wild Rose - 9/10 - If this doesn't win the Oscar for Best Original Song ('Glasgow'), I've lost all faith in the Academy. The ending concert scene had me crying like a baby. Jessie Buckley is gonna be big. Best music-drama since A Star Is Born. Transit - 9/10 Ad Astra - 9/10 - Top-notch acting, great atmosphere, world-building, existentialism, beautiful VFX, engaging score. Best opening scene of the year. Thoughtful commentary on modern society all wrapped in a Heart of Darkness blanket. If you're into space/exploration movies, then I recommend this. Surprised at the backlash this movie has gotten on r/movies. The Report - 9/10 - This was a really good year for legal-thrillers and The Report was the cream of the crop. Tight, Sorkin-like script with top performances from Adam Driver & Annette Bening. Could change a lot of minds about the war on terror and use of torture. Parasite - 9/10 Once Upon A Time In Hollywood - 9/10 Midnight Traveler - 9/10 - If you feel like life is unfair and the odds are stacked against you, watch this movie. It puts everything in a different perspective. Every problem you have is going to seem minuscule compared to what this family went through. It's eye-opening and should fill you with anger. Luce - 9/10 - It's Kelvin Harrison Jr's world and we're just living in it. The Irishman - 8/10 Mickey and the Bear - 8/10 - Camila Morrone puts in the best breakout performance of the year. PTSD, drug-addiction, alcoholism, rural Montana, toxic relationships, James Badge Dale, following your dreams. What's not to love? The Art of Self Defense - 8/10 - The best dark-comedy of the year. So many great one liners. It's like Yorgos Lanthimos directing Death of Stalin, set in a karate studio. Surprisingly violent and depressing, but in all the right ways. Jesse Eisenberg's best movie Social Network? Peanut Butter Falcon - 8/10 - "Am I going to die? " "We all do, it's only a matter of time, now stop being a little bitch. " - Favorite line of the year, really stuck with me. Everybody Knows - 8/10 Mary Magdalene - 8/10 Knives Out - 8/10 - Well-crafted whoddunit with an ensemble cast. Just a genuinely fun time at the movies. Ana de Armas with well-deserved leading role for once. A few of the characters are a tad bit unrealistic (and basically caricatures), but the movie doesn't take itself seriously enough for that to be a problem. Daniel Craig hamming it up with a Southern accent was fun. Old school film with a modern twist. The Lighthouse - 8/10 The Dead Don't Die - 8/10 - This movie really isn't for everyone, but I loved the dry humor and purposefully-bad chemistry/dialogue. The line delivery was off-putting but hilarious. Everything is extremely on-the-nose and it works. I could watch 10 hours of Tom Waits talking to himself. Us - 8/10 Villains - 8/10 Ford v Ferrari - 8/10 Midsommar - 8/10 Jojo Rabbit - 8/10 Official Secrets - 8/10 - Keira Knightley with one of the most underrated performances of the year. Another really good legal/political-thriller that exposes the dark side of government bureaucracy. Pain & Glory - 8/10 John Wick 3: Parabellum - 8/10 Queen & Slim - 8/10 Amazing Grace - 8/10 - Great concert-documentary. Some of Aretha Franklin's performances in this should give you insane chills. I actually had this one rated higher right after watching it, but then looked up some of the people shown on screen and it turns out some were real pieces of shit, while preaching to people like hypocrits. Felt gross and took a lot of the magic out. One of my few revised scores this year. A Beautiful Day In The Neighborhood - 8/10 Joker - 8/10 Non-Fiction - 8/10 - It's very French (talky and sexual) and the writing seems impressed with itself, but it's a good adult-drama that surprised me. I'm a big fan of Olivier Assayas and this is some of his best work. Rocketman - 8/10 Stan & Ollie - 8/10 Hustlers - 8/10 Avengers Endgame - 8/10 Doctor Sleep - 8/10 - It gets bloated and probably needed to be 20-30 minutes shorter (there's a shit ton of side-characters), but it was a worthwhile sequel to The Shining. Didn't feel like a cash grab and carries its own weight. Booksmart - 8/10 Little Monsters - 8/10 - I'd recommend watching this based just on Josh Gad's character. So over-the-top and hilarious. When he starts chugging hand sanitizer might be the most I laughed in a theater this year. Also Lupita Nyong'o playing & singing on the ukulele to a bunch of kids is exactly what I needed in my life. Cute zombie-comedy with a ton of heart. Spider-Man: Far From Home - 8/10 A Hidden Life - 8/10 - If there's a song from this year (or this decade even) that I'd want played at my funeral, it's James Newton Howard's theme from this movie. It's so beautiful and perfectly captures the feel of the movie. That song broke me down every time it played. I can't imagine this movie without it, it's that good. It's a shame this movie is getting ignored this awards season. Never Look Away - 8/10 Toy Story 4 - 8/10 Pavarotti - 8/10 The Biggest Little Farm - 8/10 - If you're really into the inner-workings of a Californian farm, then this is the documentary for you. Abominable - 8/10 The Current War - 7/10 Artic - 7/10 - Well made, solidly-acted. I loved the small details about survival that this movie brings up, makes it very grounded and realistic. I'm kinda bored of survival movies in general so this didn't blow my mind or anything. Bombshell - 7/10 Honey Boy - 7/10 - Pretty big letdown because I had really high expectations for this one. Lacked the emotional punch I hoped for. Didn't land for me at all, kind of like Boy Erased last year. I appreciate how honest and revealing it was, took a lot of guts for Shia LaBeouf to put this out there but it's forgettable. Lucas Hedges' Shia impression was reallllly on point though, that was worth the price of admission right there. Mid90s last year was a 10/10 for me and I expected the same for this. It was good, not great. American Woman - 7/10 - Sienna Miller's performance in this is awards-worthy. The accent she does is perfect and it might be the most underrated role of the year. The movie gets way too tearjerky at the end though. It's basically 2 hours of bad shit happening to a good person, which gets a bit overwhelming. The Beach Bum - 7/10 Captain Marvel - 7/10 Spies In Disguise - 7/10 - Looked pretty generic based on the trailer, but was actually pretty funny. Cold Pursuit - 7/10 Tolkien - 7/10 - Not much happens but it felt really comfortable. Solid performances all around and they handled the WW1 scenes better than I thought they would. Expected to be bored out of my mind based on the reviews and trailer but it flowed well. As far as "Nicholas Hoult Biopics of Famous Writers" go, it's miles ahead of Rebel in the Rye 2 years ago. Jumanji: The Next Level - 7/10 Sauvage/Wild - 7/10 Detective Pikachu - 7/10 Maiden - 7/10 Dark Waters - 7/10 -. Good performances and an okay script, even though it beats you over the head sometimes. Total waste of Anne Hathaway. She's way too good of an actress for a boring, generic, 'supporting wife' role with just a few lines. Not even sure why she was in this. Overall, a solid legal-thriller, which is a genre I really enjoy and I've been missing since its late-90s heyday. Pretty crazy story too, scummy and evil corporate greed is always interesting to explore on film (like The Insider). Should've been 20 minutes shorter and less on-the-nose Adopt A Highway - 7/10 The Wedding Guest - 7/10 The Hummingbird Project - 7/10 Motherless Brooklyn - 7/10 The Lion King - 7/10 Last Christmas - 7/10 - It's really easy to bash this movie, a lot of the humor falls flat and the twist is ridiculous, but I couldn't help walking out with a smile. I love how committed Emilia Clarke was to the character, and her interactions with her boss and family were legitimately heart-warming at times. Also did I mention how ridiculous that twist is? Richard Jewell - 7/10 - This was decent. Even though it's clearly Clint Eastwood's personal crusade (and thinly-veiled propaganda piece in some regards) against the FBI & the Spooky Media™, it still told the story effectively/semi-believably. Some of the characters (Hamm/Wilde obviously) were pretty ridiculous caricatures though, was hard to take anything they said seriously, I mean come on. You just roll your eyes at most of what they say. Some of the situations and encounters are too-conveniently set-up but that's easy to overlook. It had very solid performances (Hauser was great, especially when he finally let's his emotion show, in that scene where he kicks the table). Much better than The Mule, and 20x better than 15:17 To Paris. Star Wars: Rise of Skywalker - 7/10 21 Bridges - 7/10 Before You Know It - 7/10 Hobbs & Shaw - 7/10 - This is peak "Stupid Summer Popcorn Movie" and I thoroughly enjoyed it. It's The Meg of 2019. Fighting With My Family - 7/10 Pet Sematary - 7/10 Downton Abbey - 7/10 - Never saw a single episode of the show before watching the movie, but it still felt familiar/safe to jump right in. Yesterday - 7/10 Greta - 7/10 - It's a cheesy, predictable, non-scary horror film but I liked it. Sometimes you just need Isabelle Hupert to play a psychopathic serial killer. Felt very old-school, a movie straight out of the 1980s. Judy - 7/10 - It's the definition of Oscar bait and is emotionally manipulative, especially towards the end, but it does a great job at humanizing a Hollywood legend. Frozen 2 - 7/10 Aladdin - 7/10 The Souvenir - 7/10 Zombieland 2: Double Tap - 7/10 - Nowhere near as memorable/iconic as the first one, but it still got a bunch of laughs from me (especially the Thomas Middleditch/Luke Wilson scene). Above-average for a comedy-sequel, but I could see this one not aging well. The Two Popes - 6/10 - Two solid performances but underwhelming overall, too many cheap-looking flashback scenes, not enough Pryce/Hopkins. Reminded me of Can You Ever Forgive Me? last year, depending on the 2 leads to carry a weak movie/premise on their back, to disappointing results. Highly-overrated movie. Ready Or Not - 6/10 Anna - 6/10 - It's basically Red Sparrow but slightly worse. Saint Frances - 6/10 Hotel Mumbai - 6/10 Shazam! - 6/10 - Low-stakes, formulaic, superhero movie clearly made with strict budget limitations. It hits all the notes you'd expect a movie like this to hit. It was decent. Alita: Battle Angel - 6/10 Loro - 6/10 - One of the more disappointing movies of the year. On paper it sounds amazing, a sprawling biopic of an infamous/corrupt Italian politician/mogul by Paolo Sorrentino who's not that far removed from a masterpiece? Sign me the fuck up. But nah, this was a shallow, surface-level (like my reviews), pointless dull knife of a biopic. Too much shoehorned religious imagery too. Tone is all over the place. It can't decide whether it's serious or funny and gets lost in-between. It looked nice at least. It also wins this year's "Most Nudity" award, easily beating the rest of the field. Teen Spirit - 6/10 The Upside - 6/10 Gloria Bell - 6/10 - Great performance from Julianne Moore but this just felt like "Middle-Aged Crisis: The Movie". Just couldn't connect to it. I imagine the original is a lot better. On The Basis Of Sex - 6/10 Stockholm - 6/10 Give Me Liberty - 6/10 - This is an example of a movie that has its heart in the right place but bites off a lot more than it can chew. There's a beautiful, emotional story in here somewhere, but it's too muddled with ineffective editing tricks and too many side-stories. It's sweet in some ways and the true-life characters bring a lot of charm, but it didn't do that much for me. A lot of 'year-end' lists have this as one of the most overlooked movies of the year, but I don't see it. Rough editing, bad soundtrack. Child's Play - 6/10 Good Boys - 6/10 - Just watch Booksmart instead. Styx - 6/10 Woman at War - 6/10 The Lego Movie 2 - 6/10 Missing Link - 6/10 Long Shot - 6/10 - The chemistry between Charlize Theron & Seth Rogen was great but the jokes couldn't really match it. It's a unique mix of politics & humor, but fell short of being an actual crowd-pleaser. Echo in the Canyon - 6/10 Cyrano, My Love - 6/10 Dora the Explorer - 6/10 Brittany Runs A Marathon - 6/10 IT: Chapter 2 - 6/10 - Way too long. Felt like a never-ending series of fetch-quests. Good CGI & acting though. Mister America - 6/10 Crawl - 6/10 Trial By Fire - 6/10 - Great performances by Laura Dern & Jack O'Connell get overshadowed by an overly-preacy script. It doesn't let the audience make up its own mind. The Third Wife - 6/10 Godzilla: King of Monsters - 5/10 - This needed less humans, more monsters. Glass - 5/10 Escape Room - 5/10 Terminator: Dark Fate - 5/10 Dumbo - 5/10 All Is True - 5/10 Brightburn - 5/10 The White Crow - 5/10 - One of those biopics where the movie doesn't do justice to the story. Reading the Wikipedia page on this guy's life, you'd except an Oscar contender. Instead it was just okay. Watch Cold War instead. It's basically this movie but better. High Life - 5/10 - Unpleasant. Where'd You Go Bernadette? - 5/10 Scary Stories to Tell Dark - 5/10 Her Smell - 5/10 - This movie made me physically nauseous. The tight, claustrophobic, haze-filled shots in the first 2 acts really threw me off. It's temporarily redeemed by a reallllllly good third act and a solid performance from Elisabeth Moss. But then deflated by a terrible final scene. By the Grace of God - 5/10 - Based on the critical acclaim, director, and subject matter, I walked in expected to be blown away. Basically expected Spotlight, but this movie completely derails at the halfway point. Hard to sit through. Blinded by the Light - 5/10 The Best of Enemies - 5/10 The Aeronauts - 5/10 - This is mis-marketed as an intense survival story but it's really just a boring biopic with too many flashbacks. Fall of the American Empire - 5/10 Family - 5/10 The Goldfinch - 5/10 - It turns out an unfilmable novel really is unfilmbable, who would've thought? Shoutout to Jeffrey Wright & Finn Wolfhard for actually trying. Angel Has Fallen - 5/10 Gemini Man - 5/10 Late Night - 5/10 Black and Blue - 5/10 Diane - 5/10 - This was just depression-porn. Sometimes it works (Mungiu/Zvyagintsev), sometimes it doesn't (this movie). It's such a bummer. Wouldn't recommend this to anyone but Mary Kay Place's performance makes it watchable and engaging sometimes. Destroyer - 5/10 How To Train Your Dragon 3 - 5/10 Rafiki - 5/10 - I feel bad for this score because I get that this is a really important/significant movie for African Cinema, but I just couldn't get past the terrible acting, bad (like baaaaaad) dialogue, and lackluster story. Again, pretty big achievement that this got made and reached a global audience, but yeah, in a vacuum, it's undoubtedly a bad movie. Felt like an amateur movie on a shoestring budget. Captive State - 4/10 Wild Nights With Emily - 4/10 - This movie is what happens when someone asks the question "hey, what if we turned Emily Dickinson's life into an SNL skit? ". I get what they were going for, and Molly Shannon is great, but this was extremely unfunny and probably the longest 84-minute movie I've ever seen. Dark Pheonix - 4/10 The Addams Family - 4/10 Midway - 4/10 To Dust - 4/10 Rojo - 4/10 - The only memorable thing about this movie is that there was a power outage about 90 minutes in so they comped my ticket and gave me a free drink. So that was cool, I guess. The Kid Who Would Be King - 4/10 MIB: International - 4/10 The Kid - 4/10 - There's a 98% chance that this movie is some kind of tax write-off or money laundering scheme. It somehow got 2 big names (Pratt & Hawke), co-starring the son of the producer in his first movie ever. Directed by Vincent D'Onofrio for some reason (??? ). Was dumped by Lionsgate in a few hundred theaters with 0 marketing/promotion, and flopped hard. It's dated, boring, and unoriginal. Cheesy dialogue. Literally a story that's been told a million times before, usually in much better ways. No reason for this to exist. Chris Pratt has the worst fake-movie-beard of all time in this, that's kinda worth checking out. Ramen Shop - 4/10 The Good Liar - 4/10 - The most convoluted, needlessly-complicated plot of the year. Helen Mirren & Ian McKellen both phone it in (I don't blame them, they were given trash to work with). I hate when movies try to crowbar "WW2 flashbacks" into their movies when it's not needed. Climax - 4/10 Harriet - 4/10 Lucy in the Sky - 4/10 - Once or twice a year, a movie comes along that has such a frustrating/stupid/anti-climactic ending it makes me actually angry. This is that movie. Natalie Portman had another movie like that last year (Vox Lux). Hey Noah Hawley, what the fuck? Freaks - 4/10 - This movie would fit well in the "Good Idea But Bad Execution" subreddit. Tel Aviv On Fire - 4/10 Ma - 4/10 Frankie - 3/10 Stuber - 3/10 Serenity - 3/10 - In a year full of batshit-crazy twists (looking at you, Last Christmas), this easily had the batshit-iest twist. It's something you actually have to experience yourself, and be fully-immersed in it, to appreciate how mind-numblingly crazy it is. How they got A-list talent for this script is a total mystery, but it probably involves of a lot of favors and cocaine. It's almost "so bad its good". Almost. I can't wait for the sequel, Free Guy, next year. Maleficent 2: Mistress of Evil - 3/10 - More genocide than I expected for a live-action Disney fairy tale movie. Donnybrook - 3/10 The Photograph - 3/10 - Zzzzzzzzzz... Charlie's Angels - 3/10 Hellboy - 3/10 - This movie is like that annoying kid in middle school that tries way to hard to be edgy. It's gory and vulgar just for the sake of being gory & vulgar. It reminded me of the Predator reboot last year, had the same kind of dated/forced humor that seems to have no real target audience (except for the aforementioned middle school edgy kid I guess). Bad CGI and a boring villain. iirc it also had a lame sequel-bait ending which I hate. Happy Death Day 2U - 3/10 - The Sun Is Also A Star - 3/10 - It's filmed like a generic music video and has the emotional depth of a puddle. Don't Let Go - 3/10 The Invisibles - 3/10 Playing with Fire - 3/10 - This was just like Mark Wahlberg's Instant Family last year, except that it was worse in every imaginable way. No lie, the end-credits bloopers were by far better than anything else in the movie. It was the only time I even chuckled or felt any type of emotion. Cats - 2/10 - There's not much more I could say that already hasn't been said. Yes, it was bad. No, it wasn't the worst movie in history. For me, it was just so boring. Forgettable songs (except Beautiful Ghosts), no story/plot, nonsensical ending. Just wanted it to end. Jennifer Hudson just floating into space for no reason, Judi Dench giving me unwarranted lessons about raising cats, Ian McKellen slurping milk from a bowl, Extremely-Hairy-And-Naked-Idris-Elba, Cockroach Genocide, etc. These things all happened and we can't change them, and for us to grow as a society, we need to just move on and learn from our mistakes. Rambo: Last Blood - 2/10 The Sound of Silence - 2/10 - More like The Sound of Boredom, amirite? No but seriously, that's all I got. This movie was the closest I got to falling asleep in my seat this year. Synonyms - 2/10 Black Christmas - 2/10 - Extremely cheesy dialogue, cop-out violence, boring/predictable jump scares, low production value (bad even for a low-end Blumhouse movie), some of the worst one-liners you've ever heard, unrealistic/2D characters. Shitty ending. Wayyyyy too heavy-handed with the message. About as subtle as a flying brick to the forehead. Amateur acting, cutaway for every death, etc etc. After the Wedding - 2/10 - Overacted, muddled garbage. 47 Meters Down Uncaged - 1/10 Shaft - 1/10 - Crude, unfunny, soulless, grating, pointless. There's a million adjectives I could use to describe this reboot, and none of them are positive. This is one I'm surprised I didn't just walk out of. Probably didn't have anything better do do that day. Jexi - 1/10 - This year's worst movie. It's just the kind of movie that leaves a bad taste in your mouth, like you need to watch something else to get the stink of this one out of your mind. It was just so mean-spirited, from start to finish. Not a single joke landed, you just hated all of the characters. There are no redeeming factors. On the technical side, it was very basic, looked like a cheap music video. No memorable scenes, no good lines of dialogue, no originality in any way. None of the "cheerful"/"pick-me-up" moments earn any kind of emotional reaction. If you had a freshman high-school film student remake Her as a shitty comedy, this would be it. The fact that I paid money to see this is something I will never live down. Movies that I saw outside of theaters, not included in the list: The King - 8/10 - Netflix Paddleton - 8/10 - Netflix El Camino: A Breaking Bad Story - 8/10 - Netflix High Flying Bird - 7/10 - Netflix Dolemite Is My Name - 7/10 - Netflix Triple Frontier - 6/10 - Netflix The Boy Who Harnessed Wind - 6/10 - Netflix The Laundromat - 5/10 - Netflix The Highwaymen - 5/10 - Netflix Velvet Buzzsaw - 4/10 - Netflix Bird Box - 4/10 - Netflix Six Underground - 2/10 - Netflix Movies that I saw in theaters in 2019, but are not included in the list due to original release date: If Beale Street Could Talk - 9/10 Cold War - 9/10 Capernaum - 9/10 Mary Poppins Returns - 7/10 The Charmer - 6/10 Movies that I haven't seen yet but will see in the next few weeks: Little Women 1917 In Fabric Tremors Just Mercy Midnight Family A Million Little Pieces The Earthquake Bird American Son Portrait of A Lady On Fire Clemency Beanpole The Kingmaker The Song of Names Here is the distribution of theater visits by day of the week: Throughout the year, I've gone to 13 different theaters. 9 at major chains, and 4 at indie theaters. Here's the distribution of visits by theater: Here is the distribution of theater visits by month: Other: The longest stretch I went without going to the movies was from July 21st thru August 20th, without a single trip to the movies. Partially due to an out-of-country trip and personal stuff. During this time I "missed out" on The Kitchen, The Nightingale, Brian Banks, and Honeyland. Mostly caught up to the rest. The most theater visits in a one-week span was November 1st thru November 8th, with 8 movies that week. The most in one day was 3 movies in theaters on March 15th, 2019 ( Styx, To Dust, and Captive State). There were 26 double-headers this year (two movies in theaters during the same day, usually back-to-back). Solid year, not as many surprises as 2018 though. Going to try to break 200 in 2020. Here is last year's ranking:.

Apollo 13 free online movie. Apollo 13 free flash games. Apollo 13 free stream. Apollo 13 free movie youtube. For me, Ecapus 's history stretches back some number of millions of years, less than 10 but more than 2. It's this way because evolution figures heavily into my story, with a long prehistory and many ancient civilizations destroyed by time, dragons, and their own mistakes. But I feel like that's too long; the tangible, most developed part of my history only starts 15, 000 years ago from the present day: when the Shapeshifter species landed on the west coast of Ecapus. Evolution occurred fast enough for them that the majority are no longer shapeshifters by 5, 000 years later. Why not for the ancient races? I feel like my history could be squashed into 50, 000 years: ~50, 000 ya Dragon Apollo makes the first life ~48, 500 ya Dragon Gug makes the first sapient life ~46, 000 ya continent full of sapient life, Dragons bored want to start a war between them, fail to do so, and join the fight themselves to get it started ~45, 000 ya war ends. ~44, 500 ya Elder Dragon Sobek opens borders between planes to bring in new species to play around with. Dwarves arrive and they want to kill dragons and monsters, which the ancient species can be equivocated with. 44, 300 ya the ancient species force the dwarves to escape into the mountains. 44, 200 ya 4 dragons and an ancient species make magical focal points as planar anchors, so you can't open planar borders. 44, 000 ya Sobek makes his own planar anchor. 40, 000 ya a dragon devises a ritual using materials from each of the anchors in order to open the planes again. Gnomes arrive on the continent, luckily peaceful and calmer than the dwarves. They are however more long lived, living for many centuries. 35, 000 ya dragons experiment with creating new inorganic life. 34, 000 ya other dragons and ancient species rise up again, trying to stop the acts of creating new strange life forms. War breaks out. 30, 000 ya the war ends and most ancient species have been hunted to extinction or put into slavery. Some more beastly ones remained alive after all sorts of punishment and given orders to protect the anchor points. 29, 700 ya the Free Cities are built, so named as a place where the ancient species are free. They were founded by the gnomes, who also recorded all histories of the second Dragons vs Ancients war. After a brief battle where the Gnomes demonstrated their inner strength, they agreed the histories would not be shown to the public, instead kept locked away. 29, 000 ya the ancients spread back into their lands from the free cities. 14, 000 years pass as a long period of barely anything. Mining dwarves dig out at the border of the Free Cities. Dragons amuse themselves privately in their own spaces instead of dealing with other races. 15, 000 ya Shapeshifters arrive. Next 5, 000 years they diverge and change to match their environments. 12, 000 ya blue elves are turned into Sobekites/lizardfolk by the dragons. 10, 000 ya Dragons curse the gnomes and give magic to the elves. The elves use this magic to strike down the dragons. 9, 500 ya Dragons leave, creating the great desert Modern ecapus history. So how long are your histories?

Good God! They brought Apollo 13 crew back stuck in the lunar module in the middle of space, yet they couldn't prevent TWO shuttle disasters. What a bummer. Apollo-1 free. Something very special about those late 90s movies. An injection of magic. 22:3 what's all that activity? Space junk.

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